He displaces the importance of this heavenly power's influence and claims that it is up to men to control their own fate. Essentially Cassius tells Brutus that he will be the mirror who reflects back to Brutus his true feelings and nature. This speech and her actions convince Brutus that she is trustworthy, even though he is called away before he can tell her his plans. However, these lines could also be read as him brushing off these predictions and not believing that he can be killed. Antony sends word that it's too dangerous for Octavius to enter the city, and that their actions must depend on how the citizens react to Caesar's death. Similarly, Shakespeare foreshadows Caesar's fall in Julius Caesar when Caesar has an epileptic fit in the public square. Foreshadowing gives us a hint of what is to come, and can also reflect upon a character or characters.
The plebeians beat him to death. This makes Cassius the primary assailant in the plot against Caesar though Brutus comes to be remembered as the ring leader. Caesar's deafness is in fact symbolic of his unwillingness to see danger in the world around him. The other conspirators join him, in order to position themselves near Caesar. His every word is a command, and the people follow him. A flaw that many scholars point out, including the author of the Riverside Shakespeare, is that Brutus spoke first at Caesar's funeral. Omens and Portents Throughout the play, omens and portents manifest themselves, each serving to crystallize the larger themes of fate and misinterpretation of signs.
Cassius then arrives, and him and Brutus decide to go into the next room to discuss their issues. Foreshadowing gives us a hint of what is to come, and can also reflect upon a character or characters. She goes on to wound her thigh to show that she can withstand pain, and will therefore never give his secrets away. He compares himself to the brightest star in the sky and to an Olympian god. We see the irony in Fleance's blown out torch prov … iding him an escape. Decius uses flattery and persuasion to form a strong union with Caesar. Similarly, the presence of a wall clock in a stage that depicts the interior of a Roman fort is an anachronism.
Caesar ignores this warning and calls the man a dreamer. They add on to the undercurrent of tension. The play also holds much contemporary appeal. Cassius uses this logic to draw Brutus into his plan to kill Caesar. This is a very powerful statement that builds suspense because the reader most likely feels that Brutes will join in and want to assassinate Caesar, yet the reader is uncertain as to whether or not the plan will work.
Julius Caesar Act 4 Scene 2 Scene 3 Summary Literary devices Conflicts Literary devices Conflicts Summary Summary Literary Devices Conflicts Scene 1 Antony, Octavius and Lepidus, who rule Rome together, are meeting to draw up a list of their enemies who must be killed. Flavius's speech then causes the commoners to be ashamed of celebrating Caesar's victory. Brutus angrily castigates Cassius for his corruption and greed. Predisposed to ignore personal affairs, Caesar denies the letter any reading at all and thus negates the potential power of the words written inside. Several literary devices can be seen in Julius Caesar, and they all have an effect on the plot. Alone, Antony predicts that a terrible war will engulf Rome as a result of Caesar's murder. It is easy to see that literary devices not only make a story more interesting and colorful but also have a direct effect on the plot of the piece.
As he was fortunate, I rojoice at it. However, the audience should question whether or not this inflated speech is grounds for the horrific murder that follows. In the Capitol, Trebonius talks with Antony, to draw him away. Brutus and Cassius speak to the plebeians at the funeral and declare they killed Caesar to save Rome. From the beginning this is true, but not too far into the play, after some coaxing by Cassius, Brutus' more evil side is revealed. There is no main conflict in this scene.
Like the infant serpent, Caesar has not yet proven to be dangerous. Caesar was vulnerable to the power of friendship and was blinded by his trust in Decius, Brutus, and the other conspirators. In , the fall of Richard is represented by his constant descent from the throne. In both understandings of these lines Caesar appears to be a courageous man. At this moment, the reader recognizes Cassius has a private agenda and is providing Brutus with a fals mirror. In this case, it is an llusion to the bible and the murder of Abel by his brother Cain.
When a great leader is saddened by the misfortunes of his people, it shows that his cares and is sympathetic towards them. Casca tells him that the senators are planning to make Caesar a king the next morning. Brutus and Cassius planned speak first and Antony would follow. During Antony's funeral speech, which is the climax of the play, several literary devices are used, including rhetorical questioning, sarcasm, and repetition. The funny thing is, Cassius also likes to go around talking about what a wimp Caesar is. Casca then says that Caesar swooned and fell down with his mouth foaming at the lips.