Ezra pound in a station of the metro. Ezra Pound 2019-01-05

In a Station of the Metro

All of these words 'contribute' to the poem either by adding to the imagery or the structure ; so Pound has achieved the second principle of imagism. Love An overwhelming number of Pound's poems revolve around a theme of love. Because of the treatment of the subject's appearance by way of the poem's own visuality, it is considered a quintessential text. It is the presentation of such complex instantaneity that gives a sudden sense of liberation that we experience in the presence of the greatest works of art. Dawn enters with little feet like a gilded Pavlova, And I am near my desire. The metronome that Pound is talking about is the traditional use of meter a set pattern of weak and strong syllables in English poetry. And when I arose to go Her fingers were like the tissue Of a Japanese paper napkin.

Analysis of In a Station of the Metro by Ezra Pound

This can be found in the on-line version of magazine for April 1913. First of all, we have to ask ourselves whether this poem is a direct treatment of its subject. Eliot, William Carlos Williams, James Joyce, Robert Frost, and Ernest Hemingway Flory 308. The Altar Let us build here an exquisite friendship, The flame, the autumn, and the green rose of love Fought out their strife here, 'tis a place of wonder; Where these have been, meet 'tis, the ground is holy. Pound created a poem that strikes an immediate chord to the aware reader.

In A Station Of The Metro Poem by Ezra Pound

Imagism This phase of Pound's career is known as his imagist period. Analysis The poem was first published in 1913 and is considered one of the leading poems of the Imagist tradition. April Three spirits came to me And drew me apart To where the olive boughs Lay stripped upon the ground: Pale carnage beneath bright mist. Society The family position was waning, And on this account the little Aurelia, Who had laughed on eighteen summers, Now bears the palsied contact of Phidippus. The Haiku Handbook: How to Write, Share, and Teach Haiku. Pound felt that classic poetry, namely Greek and Roman, presented many model examples of Imagism, and frequently referred back to those ancient verses in his work.

In a Station of the Metro by Ezra Pound: Poem Analysis & Overview

Perhaps no other major modern American poet's work is so deeply and irreducibly conflicted. The central image of the faces as petals is clear and simple, and can instantly be visualized. This image connects to our sense of sight and touch, so the reader feels like he or she could reach out and pluck the faces out of the scene like a flower from a tree. Eliot's The Waste Land so drastically he is almost its coauthor; defining the imagist movement and making metrical innovation and metaphoric concision central to modernist poetics—and its most tragic figure, undermined by his own arrogance and eventually allied with the worst political impulses of the century. We've all seen student poems where something is compared to something very similar. Rather than describing something — an object or situation — and then generalizing about it, imagist poets attempted to present the object directly, avoiding the ornate diction and complex but predictable verse forms of traditional poetry.

In a Station of the Metro by Ezra Pound: Poem Analysis & Overview

Outside the haiku community, the metro poem is viewed as a haiku-like, yet a new kind of poem: the most influential imagist poem based on his ideogrammatic poetics. Pound originally wrote thirty lines for this poem, and then proceeded to whittle it down to 14 crucial syllables. Gentildonna She passed and left no quiver in the veins, who now Moving among the trees, and clinging in the air she severed, Fanning the grass she walked on then, endures: Grey olive leaves beneath a rain-cold sky. He believes that they are creating work for the wrong reasons. This makes us see the poem as a sentence that runs over two lines, which makes us read it in a linear way as a straight line running from start to finish. If you try to make notes permanently correspond with particular colours, it is like tying narrow meanings to symbols. The remaining words are articles 'the,' 'these,' 'the,' and 'a' and prepositions 'of,' 'in,' and 'on'.

Why did Ezra Pound reduce a Station of the from 30 lines to two?

Nor has life in it aught better Than this hour of clear coolness, the hour of waking together. Admit it: you secretly want to be the kind of sensitive soul that memorizes poetry. The general shape of most petals can be likened to that of an upside down dropp of water or teardrop. . The process of deletion expresses a modernist-style desire to break away from the typical poetic styles of the time period. I open the door of the metro building, I enter.

Introduction to Early Modern Literature Flashcards

The New Anthology of American Poetry: Traditions and Revolutions, Beginnings to 1900. One of Pound's earlier poems, though he wrote it before he moved to Italy, also contains an abstract variation on this theme. This imagery is used to point to a certain point of view about this subway experience and about human commonality. In terms of poetry, modernism broke free from the formal restrictions of rhyme and meter, resulting in what is known today as free verse. One of the best aspects of poetry is its total lack of rules. One word that overshadows all the rest in line one is apparition.

In a Station of the Metro by Ezra Pound

So in this sense, we can see that in one part is the beauty of life, in the other side is the death of life, which combine to make a tragedy. The title of the poem creates the visual image of the busy city life with the hustle and bustle of the people and their carelessness to other people. The apparition literally means ghostly figure that suddenly appears in front of you. Add this to the word petal. It broke away from traditional structures such as rhyme and meter. The apparition of these faces in the crowd; Petals on a wet, black bough. Quies This is another of our ancient loves.

In a Station of the Metro by Ezra Pound: Poem Analysis & Overview

We are directed into a rich and complex territory of renewal and human connections. Stunted, with small leaf, you are flung on the sand, you are lifted in the crisp sand that drives in the wind. To use Pound's words, the poem isn't a description but an equation. In Des Imagistes, an thology of imagistice poems, Pound emphasized that imagists were committed to the direct The image of petals amongst the mundane crowd in the train station evokes our past experiences with unexpected beauty in unexpected places. To answer that question, let's look at what kinds of words the poem uses.

In a Station of the Metro

Come, let us feast our eyes. Meditatio When I carefully consider the curious habits of dogs I am compelled to conclude That man is the superior animal. I repeat: It rests me to converse with beautiful women Even though we talk nothing but nonsense, The purring of the invisible antennae Is both stimulating and delightful. Tim sets out the rest of his life to interview seven potential candidates that he could help by donating parts of his organs. The unexpected beauty in an unexpected place is beautifully and tactfully presented in a very precise way.